Injured at the time, Semenuk only hit the full line once.
This uninterrupted shot was filmed by the most advanced gyro-stabilized camera system, the GSS C520, mounted to a truck on a custom road built next to a custom trail that took three weeks to build.
This true cinematic achievement required perfect coordination between Semenuk, Anthill Films, and TGR to master the athleticism, planning, timing and logistics to make this one-of-a-kind segment possible.
It’s the first full segment in a mountain bike film shot in a single, continuous shot. The beautiful simplicity of the segment hides the extraordinary amount of work and coordination it took from the entire team to create.
unReal is currently on a worldwide film tour. Click here for a list of film screenings.
To visit the unReal site and view the Making The One Shot Segment and others, click here.
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